![]() ![]() Ratings started to dip and ABC panicked, bouncing it through the schedule in ways that made Firefly look like The Cosby Show. They solved it in the middle of season two – in a suitably bizarre and jaw-dropping fashion to be sure – and seemed incapable of transitioning to different storylines easily. Though Twin Peaks wound through dozens of story arcs, the central question of Laura Palmer’s murder remained in the forefront. Blame lies on a number of factors, most notably the unduly swift resolution of the central plot thread. It couldn’t last, of course, though no one predicted how quickly and steeply its star would fall. ( The Mod Squad’s Peggy Lipton plays the owner of the local diner, for instance, while Piper “Carrie’s Mom” Laurie plays the sinister manager of the local mill.) A staggering bevvy of character actors rounded out the town – many known for previous work, but who had slipped into obscurity in subsequent years. Coulson) to the town psychologist ( Russ Tamblyn) who has a predilection for South Seas culture. He’s backed by some of the most out-there characters in TV history, from the lady with the log known as the Log Lady ( Catherine E. ![]() Cooper may be the oddest member of the whole cast, with strange ideas on Tibetan mysticism and an almost unholy love of coffee and baked goods. Her murder appears to be the work of a serial killer, prompting the arrival of FBI Agent Dale Cooper ( Kyle MacLachlan) to determine whodunit. Laura Palmer ( Sheryl Lee), local homecoming queen and possessor of the god-king of all dark sides, appears on the idyllic lakeshore of Twin Peaks, WA, and turns a veritable hornets’ nest of Weird on its ear. Police procedural, sudsy melodrama, comedy, even horror… it was all there, covered with Lynch’s patented dream logic and wrapped up in the plastic bag of one very, very dead high school girl. ![]() Syndication was starting to make some waves, but basically everyone stuck to the same basic tropes that had kept the medium running for decades.Īnd then came David Lynch who, along with co-creator Mark Frost, had a notion that seemed to embody every TV genre and none at all. ![]() Premium cable focused mainly on movies, with basic cable stations either re-running network content, or sticking to their assigned niche. You had soaps, cop shows, sit-coms and the occasional science fiction series to keep things interesting. Twenty-five years ago, prime-time television was dominated by safe, dull formula. ![]()
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